Identifier: carolinamagazine58univ (find matches)
Title: Carolina magazine (serial)
Year: 1921 (1920s)
Authors: University of North Carolina (1793-1962). Dialectic Society University of North Carolina (1793-1962). Philanthropic Society
Subjects: University of North Carolina at Chapel Hill
Publisher: Chapel Hill, N.C. : Dialectic and Philanthropic Literary Societies of the University of North Carolina
Contributing Library: University Library, University of North Carolina at Chapel Hill
Digitizing Sponsor: North Carolina Digital Heritage Center

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4 THE OFFICIAL LITERARY PUBLICATION OF THE students of the UNIVERSITY OF NORTH CAROLINA Controlled ey the Publications Union D. S. Gardner, Editor Garland McPherson, Business Manager Joseph Q. Mitchell, Associate Gordon Gray, Assistant Shepperd Strudwick, Jr., Associate T. J. Gold, Jr., Assistant i John- Marshall, Book Reviews VOLUME 58 MAY, 1928 NUMBER 7 ; Contents The New Negro—A pen and ink sketch . . Allan R. Freelon j The Message of the Negro Poets . . . . Dr. Alain Locke Jazz Poetry and Blues Charles S. Johnson j Representative Poems I. Jazz Notes and Blues Tones II. Ebony Dreams III. Black Shadows on Parnassus IV. Onyx Set With Pearls V. Valhalla—and Dawn Book Bazaar . . . The Pasture ; Contributors Entered as second-class matter at the Postoffice at Chapel Hill, N. C, October 1, 1927. :Manuscripts should be typewritten, double-spaced, and have return address on cover. iAll manuscripts should be addressed to the Editor, The Carolina Magazine, Box 710, i Chapel Hill, N. C. 1
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;raTffiirniltTrtlgWi!li? Runner Georgia Douglas Johnson Im awake, Im away!I have jewels in trust,They are rights of the soulThat are holy and just;There are deeds to be done,There are goals to be won,I am stripped for the raceIn the glare of the sun.I am throbbing with faith,\I can! And I must!My forehead to God—My feet in the dust. ■4 3 h- Dedication This issue is dedicated to the man who made it possible. It was he who, overa period of months, gave of his time unstintingly in the assembling of the materialin it. Without his tireless assistance in calling upon his friends to contribute, itwould not have made its appearance. And so, in appreciation of his friendship andservice, we dedicate this issue to that talented poet and maker of fair lyrics—Lewis Alexander. It is but fitting that we, here at the University of North Carolina, should followwith keen interest the various transitions in negro verse. George Horton, a slave,and one of the earliest negro poets in America, more th

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